WEDNESDAY 25/Jul – Music
FREE ENTRY – DOORS OPEN 19.30
Dom Omladine, Belgrade
Nemanja Aćimović, Vukašin Marković and
Boris Mladenović
20.00 - 21.30
THURSDAY 26/Jul – Music
FREE ENTRY – DOORS OPEN 19.30
Dom Omladine, Belgrade
Mixed string quartet - Vuk Kulenović
(Second, Fifth, Sixth and Eighth Quartet)
20.00-21.00
Mixed String Quartet is composed of one male and three female musicians emerged from different music schools in Belgrade, shaped by the diverse musical backgrounds, performed individually and together, in numerous musical ensembles and quartets. Finally gathered again around Vuk Kulenovic in front of Belgrade audience as apart of Resonate’s presence at the Belef festival. ‘Mixed String Quartet’ are Goran Uzelac (first violin), Selena Jakovljevic (second violin), Aleksandra Stanic (viola) and Julijana Markovic (cello).
Vuk Kulenovic is a contemporary composer and teacher based in Boston, Massachusetts. He teaches counterpoint, orchestration and directed study at Berklee College of Music. He has written over 100 works for symphony orchestra, solo instruments, chamber ensembles, choral and vocal pieces, ballet, and scores for film and stage music and is one of Serbia’s most important contemporary music composers.
Kim Gordon is an American musician, vocalist, artist, record producer, video director and actress. She has sung and played bass and guitar in Sonic Youth, and in Free Kitten with Julia Cafritz (of Pussy Galore). Gordon has collaborated with a number of musicians, including DJ Olive, William Winant, Lydia Lunch, Courtney Love, Alan Licht, Mike Watt, and Chris Corsano.
Ikue Mori was born and raised in Japan. She says she had little interest in music before hearing punk rock. In 1977, she went to New York City, initially for a visit, but she fell into the music scene, and has remained in New York since. Her first musical experience was as the drummer for seminal no wave band DNA, which also featured East Village hero Arto Lindsay. Mori became active in the New York experimental music scene. She abandoned her drum set, and began playing drum machines, According to Mori, she was trying to make the drum machines "sound broken." Critic Adam Strohm writes that she "founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills." In recent years she has used a laptop as her primary instrument, but sometimes credited with "electronic percussion".
THU/FRI 26-27/Jul – Workshop
FREE ENTRY - OPEN TO PUBLIC
Hub Gallery, Karađorđeva Street
The Abyss - Andreas Gysin
a Processing workshop about graphics, animation, interaction and polymorphism
10.00-17.00 daily
Participation is by application only. See below for details.
Description:
The Abyss is a 3d space where custom programs (creatures) can be built and released. Every participant of the workshop will contribute with one or more creature expanding the boundaries and the variety of the Abyss. Basic creatures just floating their existence away can coexist with more sophisticated ones which may implement an aggregating or even a hunting behaviour.
Learning outcomes:
Participants will learn how to create geometric forms from primitive drawing functions and how to animate them procedurally in 3d space. On a wider spectrum participants will see how to whole project has been structured and may even participate in redefining it's architecture by adding new features.
Participants:
The workshop is aimed towards students with a basic Processing knowledge and those with none. Bringing your own computer is mandatory.
APPLICATIONS NOW CLOSED
Bio:
Born in Zürich, Andreas Gysin lives and works as graphic designer between Berlin and Lugano. Writing custom programs is part of his design process independently of the output medium. When not busy on projects he teaches interaction design and programming at ECAL, Lausanne and in SUPSI, Lugano and in workshops worldwide.
FRIDAY 27/Jul – Lecture
FREE ENTRY
Location: Hub Gallery, Karađorđeva Street
From Code to Form
lecture by Andreas Gysin
18.00-20.00
Andreas will take the audience through a few projects ranging from screen, print and public installation – and the custom software tools which made them possible and how they eventually shaped the final result. Andreas will also present and discuss the results from the Resonate workshop.
Born in Zürich, Andreas Gysin lives and works as graphic designer between Berlin and Lugano. Writing custom programs is part of his design process independently of the output medium. When not busy on projects he teaches interaction design and programming at ECAL, Lausanne and in SUPSI, Lugano and in workshops worldwide.
About Resonate Music
Resonate is devoted to liberation of creative potential by exploring outer boundaries of music. Sources are human voice, live instruments or pre-recorded sounds, analogue or digital, brought to you accidentally or as a structured composition. We are working with the best thinkers behind music expression, whether it is made with organic or electronic instruments, made by the pop star or an anonymous passer-by, made to be sold or accessible for free. The idea is not giving the music to the people, but rather enabling people to hear music everywhere. As it has always been - everywhere.
About Resonate
Resonate is a platform for networking, information, knowledge sharing and education. It brings together distinguished, world class artists, with an opportunity of participating in a forward-looking debate on the position of technology in art and culture. It is a project broad enough to encompass areas ranging from software engineering to visual arts theory, but also to create a bridge between culturally separated segments of the artistic and intellectual scene through a comprehensive, multidisciplinary approach.
